Last week I attended the international symposium “Reading Wide, Writing Wide in the Digital Age: Perspectives on Transliteratures” organized by the LEETHI group from the Complutense University of Madrid. It was a fantastic event where I had the opportunity to listen to very interesting work engaging electronic literature from very different perspectives, such as Vilashini … If the Future Is Digital, Why Print a Book?
Fall semesters are tough.However, there are things one can do to make them a bit more enjoyable. Like teaching things one really loves, such as the short story “Mutaciones” by Spanish writer, Agustín Fernández Mallo, included in the now sadly disappeared El hacedor (de Borges), Remake. “Mutaciones” is a three part story based on Borges’ … Passaic, Google, and Agustín Fernández Mallo’s Bird’s-Eye View
Yo soy muy de tocar las cosas. Mi madre siempre me ha dicho que soy muy tocona y recuerdo a los mayores diciéndome aquello de “no necesitas las manos para ver”, “mirar no es tocar”, y aquel repetido etcétera contra lo táctil, da igual que se tratara de un enchufe, del vidrio de la ventana, … Tocar las cosas. Sobre Crónica de viaje de J. Carrión
**Y ahora, en inglés. Will it be the same? I’ve assigned the following readings for this week’s class: Fernández Mallo, Agustín. Postpoesía. Hacia un nuevo paradigma _______Joan Fontaine Odisea Goldsmith, Kenneth. “Why Conceptual Writing? Why now?” Suggested: Dworkin, Craig. “The Fate of Echo” The eight graduate students taking the seminar are invited to comment … 1 Year Performace or AFM’s Odisea (ENG)
He puesto en el plan de clase para la semana que viene lo siguiente: Fernández Mallo, Agustín. Postpoesía. Hacia un nuevo paradigma _______Joan Fontaine Odisea Goldsmith, Kenneth. “Why Conceptual Writing? Why now?” Sugerida: Dworkin, Craig. “The Fate of Echo” Los ocho participantes del seminario comentarán eso y otras muchas cosas, espero. Mientras, yo pienso en … One Year Performance o la odisea de AFM