Voces del extremo y la #selfiepoetry
La semana que viene voy a dar un par de recitales de poesía (aunque hablar de recitales suena raro, porque yo no recito y la #selfiepoetry no se deja recitar) c...
Category: Creative Work
#SELFIEPOETRY: 24_7 on Show at Print Screen Festival
My NewHive poem, 24_7, part of my ongoing, tongue-in-cheek series “WOMEN & CAPITALISM,” will be exhibited at Israel’s International Digita...
#SELFIEPOETRY on Show at CODE/SWITCH
I am thrilled to share that my first set of #SELFIEPOETRY poems, part of my “Fake Art Histories and the Inscription of the Digital Self” e-lit proje...
#SELFIEPOETRY
**please view and listen to poems through a desktop computer, they won’t work on mobile devices** “#SELFIEPOETRY: Fake Art Histories & the Inscr...
New Maps of Hell
I’ve been walking by the same light blue house for the past year and a half. When it went for sale about three months ago, I stopped to read the sign next...
Dolerse: esa hibridez que me atormenta
Como se me acaban las vacaciones y he vuelto a California… Leo con interés, en una entrevista de Jennifer Howard en el Chronicle of Higher Education, ...
The New Sentence
Pretty words I found reading Ron Silliman. Some of them, he meant to write but didn’t get to. hallucinated dreamlike interwoven emphasis closure rh...
Carmen’s Interlocutor, my drawer
Carmen Martín Gaite said that her need for writing came from her constant and failed search for the perfect interlocutor and insisted upon the fact that people ...