#SELFIEPOETRY
**please view and listen to poems through a desktop computer, they won’t work on mobile devices** “#SELFIEPOETRY: Fake Art Histories & the Inscr...
Author: Alex Saum-Pascual
If the Future Is Digital, Why Print a Book?
Last week I attended the international symposium “Reading Wide, Writing Wide in the Digital Age: Perspectives on Transliteratures” organized by the ...
Teaching E-Lit and DH: Plataformas de la imaginación
Last week I had the wonderful opportunity of participating in the international symposium, Máquinas de inminencia, organized by UNAM’s lleomin Mexico City. This...
Spring 16 Courses
UC Berkeley students, beware! This Spring 16 I will be teaching two new courses: 1. A groundbreaking upper-division undergraduate course on e-lit that epitomize...
The E-Lit Critical Making Group (Working Group)
JOIN US THIS FALL (as in, NOW) >>> In preparation for the spring exhibit, No Legacy || Literatura electrónica, this fall we will gather to explore tool...
GSR Position (Spring 2016): E-Lit
Electronic Literature: A Critical Making and Writing Course Are you an artist? What about a poet? Do you think computers are cool? Do you play with code? Are yo...
What I’ve been up to this summer (and what’s to come)
Time flies when you are… working. Although I’ve been enjoying some free time, this summer I have mostly been working. Here is a little update on wha...
Atrápala si puedes
Es difícil capturar el momento de lectura, ¿cuándo ocurre? Ahora, ahora mientras lees. Leer siempre es una performance y siempre ocurre en este mismo momento, a...
El silencio de la palabra: Poesía digital
La escritura silencia la palabra. Y una imagen vale más que mil de éstas. “Silencio” Eugen Gomringer, 1954 De la escritura se ha dicho que s...
¿Cómo pensar el formato blog como intervención política?
Otra semana más, repito aquí lo que dije en clase: “There is much in the world to protest” (Rita Raley, Tactical Media) Hay mucho por lo que pr...